Lieblingsstücke

Featuring works by:
Sonja Alhäuser, Volker Darnedde, Dirk Geffers, Lutz Möller

Opening: Friday, July 19, 2013, 7:30 PM

The exhibition at kunstraum t27 presents artistic works dedicated to the depiction of "favorite pieces." These are objects that seem to capture the interest of artists in a nearly magical way. The representations emerge in the spirit of a collection and often exhibit irrational traits, as they are linked to the relentless accumulation and serial repetition of things.

Many of the works on display come from so-called "outsiders," meaning individuals who are "psychologically challenged" in this context. The question of the artistic background that shapes the creators of these works is initially secondary to the presentation: Certain design elements and methods found in the work of contemporary artists are present here as well, but they tend to manifest more unconsciously. While the detachment from aesthetic conventions in contemporary art is often a consciously employed means of expression, here it represents a state-bound expression of impulsive artistic production.

These different motivations are only addressed secondarily in the exhibition—differences and attributions can initially be intuitively discovered by visitors. The demands for classification within the context of contemporary art remain evident, and the comparison is both productive and inspiring.

Works by Sonja Alhäuser and the artists Dirk Geffers, Volker Darnedde, and Lutz Möller from the project "GEYSO 20 atelier - galerie – sammlung" of Lebenshilfe Braunschweig are showcased.

Since 1992, the atelier of Lebenshilfe Braunschweig has provided individuals with disabilities the opportunity to work artistically, discover talents, develop skills, and create their own language of forms and colors. This is done with individual support and guidance for each person, taking into account their personal abilities, needs, preferences, and modes of expression. The members of the atelier are employees of the workshop for people with disabilities. Traditional educational institutions do not offer them artistic training—thus, the atelier serves as an alternative. It supports the exhibition and sale of works, making them accessible to the judgment of an art-interested public.

The exhibition is curated by Peter Hock.