Die Umkehr des Augenblicks

Two artistic positions that utilize the medium of abstraction in very different ways. Susanne Knaack's painting begins in the informal, skillfully employing chance in her approach. The result is surprisingly realistic images for the viewer, often imbued with an ambivalent suggestive power.

In contrast, Karl F. Hofeditz extracts a visual language from real motifs that seems to redefine the tension between calm and dynamism.